"Be daring, be different, be impractical, be anything that will assert integrity of purpose and imaginative vision against the play-it-safers, the creatures of the commonplace, the slaves of the ordinary." -C. Beaton



Friday, December 31, 2010

Published... What a finale to 2010!



The issues have finally hit press. Dimension and Haute Magazines have published my Haute Beauty Editorial: The Haute that Stole Christmas! A huge thanks goes out to both magazines! I celebrated with my friends and family this past week with a publishing party to commemorate this dual publishing! A huge thank you also goes out to the entire creative team and talent, as listed below, this could not have been possible without you! Congrats ladies! Here is the official spread complete with the cover that is featured on Dimension Magazine's website at dimensionmag.com!

CREDITS
Photography: Kelsey Lakia
Models: Sarah Kessler and Caroline Stiers
Hair: Synthetic Rebellion
MUA: Apryl Cook-Richmond
MUA Assistant: Aleishia Thomas

Story:
 ‘Twas the night before Christmas and all through the nation, a serious fashion deviance was accompanying the occasion, a holiday so dripping in love, shopping, gift-giving craze, was interrupted in a most virulent way. Four hautenous villians came thrashing into the night, not a Christmas gem, nor a soul, was spared to their might. In infamy, there they stood as haute as can be, and that was the day Christmas became lackluster compared to their beauty.








Tuesday, November 23, 2010

Partnering Up

Me and a very talented close friend decided to start a new business. This is a portrait I did of the lovely lady! Check out the new site at www.in-lace.com!

Monday, September 6, 2010

Friday, July 23, 2010

New Press Picture

Update on Maine Media Workshops...

For those of you who have not been following my other blog on my experience here in Maine, this week was life changing. Joyce Tenneson went beyond the call of duty showing us soon to be published material, personal stories, did meditation with us, and taught us much about independence and perseverance.  Joyce Tenneson is a kind, wise, beautiful gem of a person. It was my honor and pleasure getting to know joyce. I will be returning soon to Columbus, OH as the workshops are now over for this week. I will be posting a few photos below so that you may take a peek at my photos from this week. All were done using natural lighting. Enjoy!




Monday, July 5, 2010

Preparing for Maine- An account of Craigslist

I could never imagine I could journey to where I will very soon be. I also never thought that I would have the responsibility to find a viable sub for my position at a workplace. It has been very strange and surreal taking applications and cover letters into consideration for a job that I know anything 'less than the best' would result in disaster. I have come to view Craigslist.com as a necessary but incredibly mundane tool. My expectations for the replies to my ad were top notch, and somehow the majority of replies sent to me were half willed, grammatically incorrect, untailored, pieces of mishap. I had one cover letter that was a mere two lines long, wasn't addressed to me, or "Who it may concern", and didn't flow grammatically what-so-ever. I have no idea the thought process that goes through the minds of these people. What would compel them to send me these inattentive latent thoughts of nonchalance? Even worse, what would make them think that I would be compelled to consider them based on their lack of presentation?

I can never understand why any person would believe that treating anything with insincerity will produce viable results. As I said it felt very odd to sort through numerous emails with this sense of authority and power. Some of the replies I made gave me flashbacks to teachers, and administrators that had manipulated their control on the high schoolers in my small town. It made me a little leery to think I could be having the same effect, as I pointed out, with a great deal of frankness, the obvious features of fault in many applicants' approaches. Although I've been shaken by the feeling, I don't actually feel it was disconcerted. My job, upon return, depends on me finding someone who can see us through to deadlines, smoothly, while I'm away. The seriousness of an under-qualified, unmotivated, insincere candidate taking my place doesn't equal the intent of half of the applications I have received.

On the up side, along with preparing the formalities of my departure, I am also preparing my things. I've been making lists of things to pack, sketching, and researching last minute equipment. I am overall very pleased with the nearing date, but desiring a bit more finality with the details so that I may fully prepare. Hopefully that will come by the end of the week, or I fear I won't be able to relax and savor the time leading up to my departure as part of the accomplishment. Either way, things are progressing. Final lesson; finding talented people in a city is inefficient independently, esp. on Craigslist.com.

PRICING


Saturday, June 19, 2010

Main Photographic Workshop with Joyce Tenneson

     I received in my inbox an email from Kerry Curren of the Main Media Workshops. It was surreal to see not only a zero balance, reminding me of most wonderful honor that the CCAD Media Faculty bestowed upon me, but the heading renewed the anxiousness at the nearing date. I have been thinking a lot lately of portraiture. I have been doing some freelance retouching as of late and doing some assisting jobs, but more than anything I have been experiencing a desire to do some freelance portraiture. I think doing some commercial looking portraits and some more intimate portraits would probably prepare me a little for the workshops but that is hardly my drive. I have been dreaming in light lately. I keep dreaming of these small spaces with people in them with light raking across weathered faces with a macro lens, of light overexposing in a burst right by the brow of a doe eyed girl. So many lighting scenarios, complicated concepts, and technical experiments have all been being called into question in my shallow sleep. I know one thing, and it is that this summer will not put a dampener on what I will, with the help of many subjects, create.

     My grandmother told my mom right before she died last week that she couldn't leave her plans behind her. I think that's what each of us must do. So many things tire our bodies, and minds, that we often loose sight of the things our hearts are fond of, and the plans we ultimately want. I think the dreams I have been having lately are in response to my added time to self reflect, and have inadvertently served as a stigma, renewing my sense of fervor in all of this. All I can say is that I am very excited for the things to come.

Thursday, April 1, 2010

Up Late Ponderings...

I've been on a very odd sleeping schedule lately. My body seems to be all out of whack with the lifestyle changes I've made more rigorous lately. I was thinking in bed tonight about my life, where I want to be, and the people I've met along the way. There have been a lot of people whom I could credit that made me the person I am today, however I'm not always sure if they did the most noble things for me. I was thinking tonight about being alone, and my road to where I want to go does better if I should not take a companion. For this reason I began thinking about the loneliness of social relationships, and success.

I realized tonight how many people I've met that I've termed my 'friends' who have evolved into better friends, some romances, some who can never be more than acquaintances, and those who deserve more than just mere disregard. The life artists live is normally a very ambitious, selfish career. I don't think selfish is in this instance a very negative one, but we are most definitely very self-serving to our own ideas and work under our own prerogative. I think for this reason it is difficult for us to develop sincere relationships with people because it is difficult for us to let people into our fortress that allows us to expose our insides all over canvases, sketchbooks, and countless other media, day by day, open to the mercy of the criticism of the wandering mind of strangers. I think there are many times that I have formed relationships for pure rational means. Friendships because that is what made sense, relationships I stayed in because I felt there were things that were still beneficial for that period of time, etc. Most of the time I think people realize that its a part of the process of being social and professional striven beings, but I wonder how often people actually take offense. I forget that not all my thoughts make sense in the same way to everyone else.

Relationships like romantic ones are just as tricky as acquaintances that are free to evolve as they so choose. Intimate relationships with people require a certain amount of time, angst, and reflection in general. So many times I have found myself so at odds with my personal romantic relationships because they interfere with my work. I think there has been many things that have created this identity crisis of sorts that perpetually causes me to strive to figure out who I am. Photography has given me a productive outlet of sorts. What can I really admit though? I am young, been humbled throughout my life, and have so many questions about my worth in this giant world, my one thought on a collective level, and the ever pressing reminder that I am purely temporary.

So ultimately lately I have begun to wonder what is the purpose of relationships? Why do we need them? My ultimate path is unimaginable success one that I heard is a very lonely path. I then have to ask if this is the ultimate value to you, then why not get used to the loneliness of being alone then form a relationship when all it will do is distract you from your work, and ultimately lead you away from the success and leave you alone once again? It seems rather silly. Even more so it seems insincere to use people as a means to get you through the tough spots that will take you to your desired success? If anyone should begin to feel enlightened and care to share I'm all ears... It completely boggles my mind why relationships are so important to us when they often feel so insincere, and when will really leave you unprepared for you ending destination...

Sunday, March 14, 2010

My Title: An Explanation and Exploration

What this silly title actually means to me, other than be graphically entertaining and portraying a slightly elevated sense of whit.

"CREATIVE": It is my life, My life is my work, My work is me. These are things are absolutely one. The thing most people don't realize about us is that because we put so much of ourselves into our work, our work is like a little piece of our soul. If you treat artwork with disdain, you should look into the eyes of the sincere artist next time you critique, you will see a fundamental force go out of their body as the life vanishes from their eyes. Creative people are often also the most difficult to live with, we’re overly spontaneous; serendipitous about when we want to go to bed, fickle about what we want to eat, overly conscious about the space we live in and the clothes we wear. Our senses are such an important part of our lives, that to us, to disregard them is to disregard what it means to create to begin with. That’s why people come to us isn’t it? They look to us to break them out of body and soul. It’s exciting, our entire society is made of stimulus addicts. Only problem is like the food we eat, there are many times when we don’t think what we just tasted was palatable, but most of us still consume it. Art is the same way, people always have their two cents and say they will not even justify that art with a critique, but what they don’t know is its too late-you already consumed it. That’s also the beauty of art-we don’t do ignored. That’s what also makes us impossible: not many can live with it, but we can’t live without it.

"WOMAN": Woman + ten pounds heavier en camera = not easy to document people with tainted self concepts. Identity and self worth has always played a big part in my work. Observing the struggle with identity and self worth of the women around me, as well as personal experience, has made me realize the effects of the images we make as a society. I realize that as an aspiring fashion photographer it may seem like more of an oxy moron than a reflective journey, but truthfully it has affected the responsibility I take for my images. The industry does have a unique effect on people because of the lack of knowledge of what is being portrayed. Activists have helped spread the word about the allure of the fiction of the fashion world. Although I believe that images of beautiful women simply draped in clothing is beautiful, mysterious, and mystical I also believe that it needs to be handled with the utmost care. I believe in using models that are not harmful to their bodies and creating images that are not commercially consumable. I believe that the fashion world is a fantasy, fully supportive of the ideals, but that it should remain only that in reality. As female professionals we have to take care in helping people understand what we do and maintain a rational mind as we approach this sort of fantasy that we are so susceptible to. I realize I have a tinted perspective on the world being a woman, and could go into Plato’s theory of the cave, but I think it’s a unique tint that makes my work compelling.

"PHOTOGRAPHER": It’s a gaze into my own clinical fantasy. Photography was the fulfillment to the numerous sketchbooks of fashion designs I kept through primary school, the crave of knowledge by the rational anal-retentive side of my brain, and the answer to the perplexed right brain yearning for meaning. It is absolutely my perfect level of sanity in my life. I feed off the chaos of taking on too much, of burning myself for an impossible vision, and of seeing accomplishment and growth through weary eyes. There is something incredibly nostalgic and surprising each time I deliriously look at my luminous IMac screen at the pre-print version of my work. It never ceases to amaze me that after dragging myself through the dirt and grime, thinking I’ll collapse before I see anything of beauty, and somehow gazing upon something that I think, at the time, isn’t half bad. Call me crazy but photography is what I live for. The constant challenge to see that I haven’t failed absolutely stops me dead in my tracks, quite literally sometimes. I think there are only really three simple experiences that truly blow away the senses that are not drug induced. First would be to taste something you’ve desired (for me it could be egg rolls or ice cream). Secondly would be drinking cold water in the shower. Third would be sleeping after experiencing said delirium. Guess all these sorts of things come from the fulfillment of something you have consciously or forcibly been denied to you. Those moments are simply the best.

BIO

Born in Wisconsin I have moved around my fair share. About every two years I seem to like to move. I think it's because I get restless and bored with feeling comfortable. I feel friendships are necessary but am completely humble with people moving in and out of my life. I have met many people along my journey to my professional courier. I think that's why I felt it necessary to begin blogging. As I graduate this giant chapter in my life of education, I think its appropriate to figure out not only where I've been but where I plan to go in the future, and recognize who's got me there along the way. So hence how my blog came to be.

'Self Expression' has always come easily to me. Art started as a major part of my life somewhere in middle school in Wauseon, OH, striving to shelter the strain on my left brain my parents tell me, and the toils of being the awkward kid in the middle of social high life. I've always been a good student and is why becoming an artist was a difficult path. Many felt in the beginning that it was a waste of my mental capacity. I actually started out in Medicine at The University of Toledo in 2006 with the hopes to be an ophthalmologist and study how eyes worked, and fix them so people could see the vibrancy there was in life. In 2007 I finally began my studies in art professionally at The University of Toledo under valuable mentors like Diana Attie, and Deborah Orloff. A quick learner, I quickly came to adore any art that challenged both my analytical side and creative side of my mind. I began my artistic career with high aspirations in Medical and Anatomical Illustration but found my passion as soon as I experienced photography. I suppose in a way I was doing what an ophthalmologist does only with less education and less sharp objects. The change in interest propelled me to further my education at the Columbus College of Art and Design. There I met some of my most influential mentors like Duncan Snyder, Stephen Webster, and Stephanie Mathews. Now, after being there for two years, I will be graduating with a BFA in Photography at the age of 21.

My work has been an evolution from fine art to commercial. Identity and self worth has always played a big part in my work. Observing the struggle with identity and self worth of the women around me, as well as personal experience, has made me realize the effects of the images we make as a society. I believe in life and creating images that are not commercially consumable, but love the fantasy of the industry. I am big on the technical side of photography but try to not let myself get to bogged down by structure and knowledge that I loose sight of what it means to be ingenuitive. That doesn't mean I'm the whimsical type though either. I'm a person that works in spurts: obsessively learning and troubleshooting, then resting to reflect and polish, and then obsessively learning and troubleshooting again. I think it allows me to master in pieces what is important in photography to me: Lighting, mood, narrative, and the invitation to dwell inside. I am a student that is a work in progress. I am no where near done growing and although I cannot possibly picture where I will end up with my skill level and style 5/10 years from now I know I will still be making photographs in 5/10 years. Why: Because I'm incessantly curious and incredibly reluctant to succumb to the final death that is fear.

Is my life, My life is my work, My work is me.